Taylor Swift Declares Folklore Belongs to Canada During Toronto Tour
Taylor Swift’s Eras Tour has been nothing short of a global phenomenon, but her Toronto residency is carving out its own legendary chapter. With her six-night stretch at the Rogers Centre officially kicking off, Swift didn’t hold back in showering Canada—and especially Toronto—with heartfelt admiration. One particular moment struck a chord with the crowd: Swift declared, “The Folklore era belongs to Canada.”
For a country known for its serene landscapes and reflective vibe, this comment felt deeply personal to fans. And as if that wasn’t enough to ignite an arena of Swifties, the night’s surprise songs added another layer of magic.
Canada and Folklore: A Perfect Match
When Swift released Folklore in the middle of the pandemic, it felt like an escape—a dreamy, introspective album perfect for the quiet solitude many were experiencing. While much of the world found solace in its lyrics, Swift herself confirmed what Canadian fans had long suspected: Folklore is inherently Canadian at heart.
As Swift told the Toronto crowd on November 14, “The Folklore era belongs to Canada.” The album’s soft, ethereal tones and storytelling align seamlessly with Canada’s rolling landscapes, tranquil lakes, and cozy winters. Tracks like “Exile” and “The Last Great American Dynasty” evoke the kind of reflective moments one might have in a cabin overlooking a frozen lake—a scene many Canadians know all too well.
The Final Leg: A Special Dedication
Swift’s Toronto residency is more than just the last stop on her Eras Tour—it’s a heartfelt thank-you to her Canadian fans. “I wanted to spend those last shows with the most generous, encouraging, welcoming, passionate, excitable fans, so I came to see you in Toronto,” she said, bringing the crowd to thunderous applause.
These six nights are not just concerts; they’re a culmination of years of love between Taylor Swift and her Canadian fans. From her early country hits gracing local radio stations to packed arenas for 1989 and beyond, Swift has always found a warm reception here.
The Magic of Surprise Songs
The Eras Tour is filled with iconic moments, but for many fans, the highlight is Swift’s nightly tradition of surprise songs—performed once and never repeated on the tour. Toronto’s night one didn’t disappoint.
Swift opened the surprise section with “My Boy Only Breaks His Favorite Toys,” a deep cut from her latest album, The Tortured Poets Department. The emotional ballad left fans in awe as Swift debuted it live for the first time, weaving new memories into the fabric of her discography.
Next came a fan favorite: “This Is Why We Can’t Have Nice Things” from Reputation. The energy in the room was electric as fans sang along to the iconic bridge of a track that hasn’t yet been re-released as a “Taylor’s Version.”
Swift then gave Toronto something truly special: a piano mashup of “False God” from Lover and “tis the damn season” from Evermore. Seamlessly blending the sultry jazz tones of one song with the bittersweet holiday longing of the other, Swift created a once-in-a-lifetime moment that Toronto fans will treasure forever.
The Toronto Touch
Beyond the music, Taylor Swift’s Toronto residency has become a city-wide celebration. From themed bar crawls to Eras-inspired outfits, the streets of Toronto are alive with Swiftie spirit. The city has embraced its role as host to the final leg of the tour, with businesses and fans alike adding their unique flair to the experience.
As Swift’s remaining nights at the Rogers Centre promise more surprises, fans can’t help but reflect on the singer’s words about Canada and Folklore. It’s a love letter—one written in lyrics, melodies, and moments that transcend the music.
Stay tuned for updates on the remaining nights of Taylor Swift’s Toronto residency, including exclusive insights into her surprise songs, performances, and heartfelt tributes to her Canadian fans. For all things Eras Tour, follow hungry416.com and keep up with us on Instagram!
